{"id":795,"date":"2020-05-22T17:47:52","date_gmt":"2020-05-22T15:47:52","guid":{"rendered":"http:\/\/konzertdirektion.de\/?post_type=kunstler&p=795"},"modified":"2025-12-02T10:50:40","modified_gmt":"2025-12-02T09:50:40","slug":"concerto-italiano","status":"publish","type":"kunstler","link":"https:\/\/konzertdirektion.de\/en\/kuenstler\/concerto-italiano\/","title":{"rendered":"Concerto Italiano | Rinaldo Alessandrini"},"content":{"rendered":"\n

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On Tour<\/h2>\n \n

June 12, 2026 | Halle<\/p>\n\n \n <\/div>\n \n\n

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New Releases<\/h2>\n \n

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Every single number is a gem. How great that they are being presented here for the first time at the highest level.<\/em>
\nSWR Kultur<\/a>, Podcast | July 22nd, 2024<\/p>\n

You can listen to the new album here<\/a>.<\/p>\n\n \n <\/div>\n \n\n

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Awards<\/h2>\n \n

Diapason d\u2019or de l’ann\u00e9e 2024<\/strong>
\nin the category Baroque vocal music<\/em><\/p>\n

\"\"
\nA life dedicated to the divine<\/strong>
\nAlessandrini’s heart beats for that which is true and beautiful, which for him can only be found in early Baroque music and in Claudio Monteverdi. For four decades, his work has been characterised by this composer, who was declared a \u2018divino\u2019, the divine, during his lifetime. And for almost as long, namely 30 years, Alessandrini and his ensemble Concerto Italiano have focussed specifically on Monteverdi’s madrigals and recorded them. These recordings also seamlessly follow on from all their predecessors in terms of the beauty of sound, balance of voices, expressivity and comprehensibility of text that were already acclaimed many years ago. What remains is the wish that more of Monteverdi’s vocal treasures will turn up in the archives – so that they, too, will immediately ignite Rinaldo Alessandrini’s musical heart.
\nRONDO Magazin<\/a> | CD Monteverdi Tutti i madrigali | Guido Fischer| June 2023<\/p>\n\n \n <\/div>\n \n\n

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Reviews<\/h2>\n \n

Playing these assorted concertos and sinfonie one-to-a-part (plenty of 18th-century precedent here), Alessandrini and his crack players marry elegance with unfailing rhythmic zest, always attentive to textural clarity and the shaping of bass lines. The continuo (harpsichord and\/or theorbo) adds impetus without ever becoming irritatingly obtrusive. Alessandrini and his band bring a devil-may-care exuberance to a Vivaldi ripieno concerto \u2013 one of the few works here with no Corellian pedigree \u2013 and a vividly gestural, quasi-operatic manner to a sinfonia funebre which may or may not be by Locatelli. In an enterprisingly chosen repertoire, Concerto Italiano are here at their exhilarating, imaginative best.<\/em> Gramophone<\/a> | CD 1700 | Richard Wigmore<\/p>\n\n \n <\/div>\n \n\n

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