{"id":739,"date":"2020-05-09T21:16:34","date_gmt":"2020-05-09T19:16:34","guid":{"rendered":"http:\/\/konzertdirektion.de\/?post_type=kunstler&p=739"},"modified":"2026-03-20T12:34:43","modified_gmt":"2026-03-20T11:34:43","slug":"signum-quartett-3","status":"publish","type":"kunstler","link":"https:\/\/konzertdirektion.de\/en\/kuenstler\/signum-quartett-3\/","title":{"rendered":"Signum Quartett"},"content":{"rendered":"
\n\n

On Tour<\/h2>\n \n

April 21, 2026 | Berlin
\nApril 30 – May 3, 2026 | Schwetzingen<\/p>\n\n \n <\/div>\n \n\n

\n\n

Projects<\/h2>\n \n

Unfinished, Yet Complete \u2013 A Homage to Franz Schubert<\/strong><\/p>\n

The Signum Quartet and Dominique Horwitz blend theatre and music to explore the mystery of Franz Schubert\u2019s work. His music still moves us today – filled with melancholy, depth, and solace. The evening seeks the “unfinished completeness” and the man Schubert himself. The program approaches Schubert tentatively: through questions, contradictions, and fears. His letters and music – from delicate soundscapes to eruptive power – come alive. Songs like “Gretchen am Spinnrade”<\/em> and “Die sch\u00f6ne M\u00fcllerin”<\/em> take on a new, theatrical dimension. Dominique Horwitz interprets Schubert freely, beyond tradition.<\/p>\n

Schubert\u2019s music guides us through life – stirring, enigmatic, sometimes dark, sometimes luminous. An evening that rediscovers Schubert anew.<\/p>\n\n \n <\/div>\n \n\n

\n\n

Schubert Trilogy<\/h2>\n \n

\"\"<\/p>\n

Aus der Ferne<\/strong> | Ins stille Land<\/strong> | Lebensmuth
\n<\/strong>The Signum Quartet succeeds here in demonstrating an impressive connection between Schubert’s songs and his string quartets.<\/p>\n

That this develops into a dialogue between Schubert\u2019s dual composer souls of lied and chamber music to which one does not merely listen, but by which one is spellbound and enthralled, is thanks to the highly concentrated, creative, versatile and emotional playing of the four musicians.<\/em>
\nRondo<\/a> | CD Ins stille Land | Guido Fischer | November 28, 2020<\/p>\n

\u2026 an affecting new way of playing and listening to Schubert \u2026 As if they were singers themselves, the quartet in the transcriptions plays with a sensitivity and attention that seems to carry over to their playing of the quartets. \u2026Prepare for a deeply moving experience.<\/em>
\nStrings magazine<\/a>| CD Ins stille Land | Laurence Vittes | March-April 2021<\/p>\n\n \n <\/div>\n \n\n

\n\n \n

\"\"<\/p>\n

INS STILLE LAND | Franz Schubert String Quartets D 74 and D 810, Lied arrangements | PENTATONE\u00a0 |\u00a0 listen<\/a><\/p>\n

\u2026 an affecting new way of playing and listening to Schubert \u2026Prepare for a deeply moving experience.<\/em> Strings magazine<\/a> | Laurence Vittes | March-April 2021<\/p>\n\n \n <\/div>\n \n\n

\n\n

New Releases<\/h2>\n \n

\"\"<\/p>\n

ECM released A Dark Flaring<\/strong><\/em><\/span> in 2025 with works by South African composers from eight decades.<\/p>\n

“With that recording now showing its age sonically, the Signum\u2019s slightly more measured but superbly played version of this unalloyed masterpiece is unreservedly welcome. So is the whole album, though, with such tremendous performances and pitch-perfect sound. Recommended.”<\/em>
\nGramophone<\/a> | CD A Dark Flaring | Guy Richards | August 2025<\/p>\n\n \n <\/div>\n \n\n

\n\n

Reviews<\/h2>\n \n

The Signum Quartet offers world-class<\/strong>
\nThis is how you want string quartets to play! Shaped in every motivic fibre, eloquently articulated, precisely phrased, agogically structured, dynamically differentiated, as well as gesturally pointed to question, answer, agreement, counter-speech. That is world class. This is how one would like to hear string quartets played by the Signum Quartet.<\/em>
\nK\u00f6lner Stadtanzeiger<\/a> | Philharmonie K\u00f6ln | Rainer Nonnenmann | October 24th, 2024<\/p>\n\n \n <\/div>\n \n\n

\n\n \n \n \n <\/div>\n \n\n
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